Bulky old 'Ever Ready' camera cases with their fashionably thin leather straps are what all film photographers want for their cherished vintage cameras. When it comes to the 'vintage look’ that we all (surely) desire, safe and sturdy UV resistant Nylon straps just won’t cut it. In fact true vintage status can only be achieved with a filthy, worn strip of dried out and heavily cracked tan leather, rusted rivets and buckle, and (ideally) the magic word ‘Leica’ stamped on the strap somewhere. Literally nothing else will do!It will of course fail! Throwing your prized camera onto the very hardest of hard floors when you least expect it. All part of the authentic vintage camera experience though, a talking point amongst Shutter-Chums© in the way that athletes swap notes on career-threatening sports injuries.
I've strongly disliked this case from the day I bought it. The bottom half of the case is decent enough, flexible leather, a good look, with all the correctly located apertures for this quirky bottom winding camera. But even this fails when it comes to the screw attachment that attaches the case to the tripod mount, a substantial chunk of aluminium that prevents the camera from sitting upright in its case. It's the (thankfully removable) top half that's the truly ugly bit though, albeit it protects the camera and lens from damage heroically. A chonky box of hard plastic and aluminium in the style of a 1940's suitcase, over-engineered and oversized to protect the workings, it not only looks horrible but turns a neat compact camera into the kind of boxy lump I've tried all along to avoid having.



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